A Shattered Mirror is Multi-faceted

One of the most interesting, though perplexing, images in David Tennant (and Patrick Stewart and Penny Downie)'s Hamlet was this broken mirror. I recognized that it was probably an important symbol but I didn't bother trying to figure it out until today. I've come up with several theories now though. My favourite one connects to my general interest in Shakespeare, especially Hamlet, in the eyes of Popular Culture; Hamlet is one of the best remembered of Shakespeare's plays, but people remember it in very different ways and not always clearly.

In Search of a Focus

I'm afraid that I don't really know what the focus of my research is. I've tried to concentrate largely on Shakespeare and his relation to popular culture, or to culture in general, and I have found Shakespeare in many places.

So far I've discussed how: in both the movie and the book versions of Jane Austen's Sense and Sensibility MaryAnne and Willoughby quote Shakespeare's sonnets, I remember quite a few references or allusions to Romeo and Juliet, I found that the British TV show Doctor Who has an entire episode relating to The Shakespeare Code and a TV charity called Comic Relief had a comedy skit with both Doctor Who jokes and Shakespeare jokes,  a simple google search of the phrase "all the world's a stage" turned up tons of hits in all sorts of places, in Dostoevsky's The Brothers Karamazov I found more than one reference though I've only yet written about the first instance, and even the names of Uranus's moons are Shakespeare-themed. I've looked into how Shakespeare was influenced by the popular culture of his own time, and the example of the similarities between Hamlet and Tom a Lincoln.

I've found myself slowly drawn towards Hamlet, as I've found connections between that play and life. In the same class discussion which led to my post on Justice and Mercy about The Merchant of Venice, we talked about Hamlet and the Reformation. I've watched two different film adaptations which each connected to other ideas that interest me (such as fanfiction to Branagh's in a vague way which really had more to do with the play than anything particular and Doctor Who to Tennant's though Jessica's post does a better job of showing the connections). I've done two posts on Ophelia on impulses, the second one spinning off an insignificant painting in the first. But I have become rather interested in the characters of Hamlet and Ophelia, what influenced their creation and how they've influenced people (mostly writers of one sort or another) and become an allusion to illustrate ideas.

David Tennant's Hamlet, and what I thought

I've just finished watching the David Tennant version of Hamlet. As you may know, David Tennant played The Doctor, in the Doctor Who TV show, which is why I was interested to see this version. There were a couple of things that struck me as I watched it.

1. It's exceedingly odd to see David Tennant playing somebody who is not The Doctor. When he first shows up on screen his hair is all... brushed back and too neat and tidy looking, though he soon musses it up and it looks natural again. Also, sometimes his facial expressions would throw me off when he'd make some expression that I associate with The Doctor.

Was Ophelia Ever There At All

Was Ophelia ever really there? I was suddenly struck yesterday that you could easily argue that this picture here, which I had just put up on my recent post about Ophelia because it's mildly interesting looking, gets to a potent point of the absence of the actual Ophelia.

Ophelia allowed her father to control her, then she went mad, and then she died off-stage. Where was Ophelia, and Ophelia's mind and will, in any of this?  It's almost like all there was to her was innocence, maidenhood, death by drowning, and her not being there and in control in any of the crucial moments of her life and death throughout everything we see of her in the play.

Shakespeare in the Sky

Most of the planets, constellations, and heavenly bodies we see in the sky through our telescopes are named after the gods, goddesses, heroes, and heroines of the old classics, mostly the old Roman classics. But there are also some heavenly bodies out there that are named after Shakespeare's characters (Pope's too, but who cares?). The planet Uranus has 27 moons, or satellites, named Cordellia, Ophelia, Bianca, Cressida, Desdemona, Juliet, Portia, Rosalind, Mab, Belinda, Perdita, Puck, Cupid, Miranda, Francisco, Ariel, Umbriel, Titania, Oberan, Caliban, Stephano, Trinculo, Sycorax, Margaret, Prospero, Setebos, and Ferdinand. Most of these moons are very very small.

But they are there, and the fact that they were named mostly after Shakespearean characters shows that while most heavenly bodies are named after the old classical traditions, Shakespeare is part of an important tradition too.

This picture is one I got from the Astronomy Picture of the Day site, which has lots of lovely astronomy pictures and information.

Ophelia, Her Death as Mad and as Picturesque as Our Imagination Paints It

Discovery in Unrelated Reading

Today I was reading Brothers Karamazov for one of my other classes (Honors 202, a Civ 2 class, called The Bible in Western Literary Tradition) and I was surprised to find a Shakespeare reference. At the bottom of the first page and the top of the second in Part One, Book One, there is an interesting passage

And so she died, entirely to satisfy her own whim, and to be like Shakespeare's Ophelia. If this precipice, a chosen and favorite spot of hers, had been less picturesque, if there had been a prosaic flat bank in its place, most likely the suicide would have never taken place. This is a fact, and there probably have been a few similar cases in the last two or three generations.

All the World's a Stage, and Everybody Knows That

After a lengthy discussion with my mother about how common some of Shakespeare's phrases have become in our culture I did a google search for the phrase "all the worlds a stage" and with the advanced option asked it to exclude the word Shakespeare. I got 11,600,000 results. The hits were as varied as can be. There were blogs (like Joanna's but not hers), theatre groups, and ad for World of Warcraft, a book titled "All the World's a Stage", a NASA article about the movement of dust across the world, an announcement of an art exhibit for a museum, random news, a wiki-page for a book about Tom Cruise with "All the World's a Stage" as part of the title, and that's not even all the types of things that showed up on the first two pages. High-brow, low-brow, its a phrase that has permeated every level of our culture.

The painting is a James Christensen painting called "All the World's a Stage" and is one of my favourite paintings. I even liked it before I found that it also happens to be the first image that shows up when you search that phrase.

I also noticed today this line is very close and most likely the inspiration for the description Prakash Raj, one of the Indian actors I follow on Twitter, has for himself "The world is also a stage."

Dr. Who, Shakespeare, and Popular Culture

I like connections. I like connections between the literature and culture of Shakespeare’s time, and his work, and I like finding how people have played with Shakespeare’s work ever since. One of the most fun connections between Shakespeare and popular culture that I’ve run across recently is the Dr. Who episode “The Shakespeare Code.” Dr. Who is an important part of modern British pop culture, and Shakespeare has been an important part of the culture for a long time, seeing the episode play with the quotes and allusions to Shakespeare's life and works (as well as to other cultural references) is great fun whenever there's a new reference that you catch.

Wikipedia has a long list of the references to Shakespeare and his work in their article on “The Shakespeare Code” episode.  Some of my favourite references are described here

There is a running joke throughout the episode in which the Doctor creates an apparent ontological paradox by inspiring Shakespeare to borrow phrases that the Doctor quotes from his plays. Examples of this include the Doctor telling Shakespeare that "all the world's a stage" (from As You Like It) and "the play's the thing" (from Hamlet), as well as the name Sycorax from The Tempest. However, when Shakespeare himself coins the phrase "To be or not to be", the Doctor suggests he write it down, but Shakespeare considers it "too pretentious". In a different version of the joke, the Doctor exclaims "Once more unto the breach", and Shakespeare initially likes the phrase, before realizing it is one of his own from Henry V, which was probably written in early 1599.

 I feel like I ought to be doing some analyzing here, but I'm not quite sure how you analyze something like this. I do see that Shakespeare taking up so much time in a popular modern TV show episode is both proof that people still, to some degree, appreciate Shakespeare and also that seeing the Shakespeare references gives them a new way to appreciate and remember his works.

The Comic Relief skit is another occasion of these two aspects of British culture intersecting, on a different TV show.

Hamlet and Tom a Lincoln

I've recently been thinking about Shakespeare and Popular culture, both the popular culture of Shakespeare's day (the culture of the people, manifested in various ways) and though unrelated to this post the popular culture of today. In one of the chapters of Shakespeare and Elizabethan Popular Culture David Margolies suggests that Hamlet may be a bit of a remake of another well-liked revenge play of the day called Hamlet and that a book, or a work of fiction, called Tom a Lincoln by Richard Johnson may have added "new significance."(pg 125) I don't really understand, though, how a book described as "being shallow and disconnected" (Pg. 125) could add that significance. If we knew more about the original Hamlet then it would be a lot easier to say.

There are similarities between the two stories.

Pondering Definitions of Popular Culture

Last week I checked out a book from the Library called Shakespeare and Elizabethan Popular Culture and read the introduction and one of the chapters (Shakespeare's Clowns). It's a bit of a slow read, but probably the most difficult part was just wrapping my mind around the definition of popular culture they were using "cultural products created ... of the people... cultural expressions of the people themselves. [Including] the dramatic enactment of Bible stories, the festive rituals associated with holidays, clowning, old romances told around a winter's fire and other products of oral tradition such as proverbs, ballads and songs." (pg 1).

I'm more used to popular culture being in the movies we watch, the music we listen to, religion, and school, or even the dictionary.com definition "contemporary lifestyle and items that are well known and generally accepted, cultural patterns that are widespread within a population; also called pop culture." The actual meanings of these definitions are pretty similar, it just took me a while to relate them.

A Little Something

I've been watching some Dr. Who, a very funny British Sci-fi series, recently, and so one of my roommates showed me this very funny comedy skit with two of the main actors from that show and it's just chock full of Dr. Who and Shakespeare references. So, I thought I'd share it with you.